Boas Vindas by Heitor Villa-Lobos (1887-1959) Heitor Villa-Lobos was a Brazilian composer, described as “the single most significant creative figure in 20th-century Brazilian art music”. Villa-Lobos has become the best-known and most significant Latin American composer. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition.
Berceuse by Heitor Villa-Lobos (1887-1959) Heitor Villa-Lobos was a Brazilian composer, described as “the single most significant creative figure in 20th-century Brazilian art music”. Villa-Lobos has become the best-known and most significant Latin American composer. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition.
Danza Espanola No 12 Arabesca by Enrique Granados (1867-1916) Enrique Granados was a Spanish–Catalan pianist and composer of classical music. His music is in a uniquely Spanish style and, as such, representative of musical nationalism. Enrique Granados was also a talented painter in the style of Francisco Goya.
Opus 129 Rondo e Capriccio by Ludwig van Beethoven (1770-1827) Ludwig van Beethoven was a German composer and pianist. The crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential composers of all time.
Alborada by Francisco Tarrega(1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related …
The Four Seasons (Spring) 1st Movement (Allegro) by Antonio Vivaldi (1678-1741) Antonio Lucio Vivaldi was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He …
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Leyenda Espana by Augustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque and …
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Opus 8 No 3 (Waltz)by Agustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the …
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Opus 8 No 4 (Waltz)by Agustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the …
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Abri La Puerta Mi Chinaby Augustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the …
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