Opus 60 No 15 by Matteo Carcassi (1792 – 1853) Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, …
Estudio in G by Dionisio Aguado (1784-1849) Grade 2– Early Intermediate Dionisio Aguado was a Spanish classical guitarist and composer. Born in Madrid, he studied with Miguel Garcia. In 1825, Aguado visited Paris, where he met and became friends with lived with Fernando Sor. Aguado’s major work Escuela de Guitarra was a guitar tutorial published …
Tarleton’s Riserrectione by John Dowland (1563-1626) John Dowland was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as “Come, heavy sleep”, “Come again”, “Flow my tears”, “I saw my Lady weepe” and “In darkness let me dwell”, but his instrumental music has undergone a major revival, …
Minuet 2 in D by Robert Devisee (1655 – 1732) level Beginner Robert de Visée was a lutenist, guitarist, theorbist and viol player at the court of Louis XIV, as well as a singer, and composer for lute, theorbo and guitar. Robert de Visée’s origin is unknown, although a Portuguese origin of his surname had …
La Cavalleria de Napoles con dos Clarines by Gaspar Sanz (1640–1710) Gaspar Sanz was an Aragonese composer, guitarist, organist and priest born to a wealthy family in Calanda in the Spanish comarca of Bajo Aragón. He studied music, theology and philosophy at the University of Salamanca, where he was later appointed Professor of Music.
Call Me by Tony Hatch (1939) Tony Hatch is an English composer, songwriter, pianist, music arranger, and producer. He was born Anthony Peter Hatch in Pinner, North London. Encouraged by his musical abilities, his mother – also a pianist – enrolled him in the London Choir School in Wansunt Road, Bexley, Kent when he was …
Prelude 7 in A by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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Etude 17 (Opus 6 No. 11) by Fernando Sor (1778-1839) Time 3:00 Fernando Sor was a Spanish classical guitarist and composer. He is best known for his guitar compositions, but he also composed music for opera and ballet, earning acclaim for his ballet titled Cendrillon. Sor’s works for guitar range from pieces for advanced players, …
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Prelude 2 in A minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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Prelude 6 in B minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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