Choro Para Bordoes by Paulinho Nogueira (1929-2003) Paulinho Nogueira was a Brazilian guitarist, composer and singer. He was an eclectic composer and his influences ranging from Bossa Nova to Bach. Paulinho Nogueira created the craviola, a musical instrument similar to the acoustic guitar, but with 12 strings.
Bachianinha No 2 by Paulinho Nogueira (1929-2003) Paulinho Nogueira was a Brazilian guitarist, composer and singer. He was an eclectic composer and his influences ranging from Bossa Nova to Bach. Paulinho Nogueira created the craviola, a musical instrument similar to the acoustic guitar, but with 12 strings.
Bachianinha No 1 by Paulinho Nogueira (1929-2003) Paulinho Nogueira was a Brazilian guitarist, composer and singer. He was an eclectic composer and his influences ranging from Bossa Nova to Bach. Paulinho Nogueira created the craviola, a musical instrument similar to the acoustic guitar, but with 12 strings.
Bachianinha No 1 by Paulinho Nogueira (1929-2003) Paulinho Nogueira was a Brazilian guitarist, composer and singer. He was an eclectic composer and his influences ranging from Bossa Nova to Bach. Paulinho Nogueira created the craviola, a musical instrument similar to the acoustic guitar, but with 12 strings.
Une Larme by Modest Moussorgski (1839-1881) Modest Petrovich Mussorgsky was a Russian composer . He is best known for the opera Boris Godunov , and later for piano Pictures at an Exhibition ( 1874 ) – orchestrated by Maurice Ravel in 1922 .
Campina Andaluza by Sabicas (1912-1990) Sabicas was a tremendous genius of his day, not only with technique, but with major contributions, playing Flamenco previously unimaginable and giving new tools and possibilities for the solo instrument. He brought this art to concert halls and major theaters where all classes can enjoy.
Fandangos De Huelva by Sabicas (1912-1990) Sabicas was a tremendous genius of his day, not only with technique, but with major contributions, playing Flamenco previously unimaginable and giving new tools and possibilities for the solo instrument. He brought this art to concert halls and major theaters where all classes can enjoy.
Castellana by Sabicas (1912-1990) Sabicas was a tremendous genius of his day, not only with technique, but with major contributions, playing Flamenco previously unimaginable and giving new tools and possibilities for the solo instrument. He brought this art to concert halls and major theaters where all classes can enjoy.
Zortzico by Emilio Pujol (1886-1980) Emili Pujol Vilarrubí was a composer and the leading twentieth century musicologist and classical guitar teacher. He began his studies with Francisco Tárrega at the Conservatory of Barcelona in 1901, when he was fifteen years of age.
El Abejorro by Emilio Pujol (1886-1980) Emili Pujol Vilarrubí was a composer and the leading twentieth century musicologist and classical guitar teacher. He began his studies with Francisco Tárrega at the Conservatory of Barcelona in 1901, when he was fifteen years of age.
