Ay (Opus 16) Bolero by Carl Henze (1872-1946) Carl Henze (1872-1946) was a german guitarist, mandolist, composer and conducter. Karl was taught by a german guitarist Wilhelm Conrad. Karl also was taught by a mandolist Michele Fasano and Swiss hapist August Zurfluh. Karl later became a teacher of guitar and conductor for the berlin mandolin …
Opus 320 No 4 Andante by Ferdinando Carulli (1770-1841) Ferdinando Carulli was born in Naples, Italy on February 10, 1770. Carulli’s first musical instruction was on the cello, but he soon turned his attention to the guitar. Carulli was entirely self taught, as there were no guitar teachers in Naples at the time. Despite having …
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Opus 320 No 3 Andante by Ferdinando Carulli (1770-1841) Ferdinando Carulli was born in Naples, Italy on February 10, 1770. Carulli’s first musical instruction was on the cello, but he soon turned his attention to the guitar. Carulli was entirely self taught, as there were no guitar teachers in Naples at the time. Despite having …
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Haitian Suite 1 (Petro) by Frantz Casseus (1915–1993) Frantz Casseus (1915–1993) was a Haitian guitarist and composer. Although born and raised in Port-au-Prince, Haiti he spent most of his adult life in the United States. His music maintained a focus on Haitian folk forms, which he incorporated into his recordings and his published compositions. Casseus …
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Am See (Opus 15) by Carl Henze (1872-1946) Carl was a german guitarist, mandolist, composer and conducter. Karl was taught by a german guitarist Wilhelm Conrad. Karl also was taught by a mandolist Michele Fasano and Swiss hapist August Zurfluh. Karl later became a teacher of guitar and conductor for the berlin mandolin orchestra.
Sobo by Frantz Casseus (1915–1993) Frantz Casseus was a Haitian guitarist and composer. Although born and raised in Port-au-Prince, Haiti he spent most of his adult life in the United States. His music maintained a focus on Haitian folk forms, which he incorporated into his recordings and his published compositions. Casseus was also an early …
Minuet 1 (Nouvelles Suites De Pieces Pour Clavecin-Book 3) by Jean Philippe Rameau (1683-1764) Jean-Philippe Rameau was one of the most important French composers and music theorists of the Baroque era. Little is known about Rameau’s early years, and it was not until the 1720s that he won fame as a major theorist of music …
BWV 147 Chorale Prelude (Arranged by David Russell) by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. …
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Opus 241 No 41 (Alla Polacca) by Ferdinando Carulli (1770-1841) Ferdinando Carulli was born in Naples, Italy on February 10, 1770. Carulli’s first musical instruction was on the cello, but he soon turned his attention to the guitar. Carulli was entirely self taught, as there were no guitar teachers in Naples at the time. Despite …
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Aria Deutsches Magnificat (TVWV 9:18) by Georg Philip Telemann (1681-1767) Georg Philip Telemann was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family’s wishes. He held important positions in Leipzig, Żary, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of …
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