Opus 333 No 10 by Ferdinando Carulli (1770-1841) Ferdinando Carulli was born in Naples, Italy on February 10, 1770. Carulli’s first musical instruction was on the cello, but he soon turned his attention to the guitar. Carulli was entirely self taught, as there were no guitar teachers in Naples at the time. Despite having no …
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Madrecita (Little Mother)by Agustin Barrios (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque and Romantic …
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Opus 333 No 11 by Ferdinando Carulli (1770-1841) Ferdinando Carulli was born in Naples, Italy on February 10, 1770. Carulli’s first musical instruction was on the cello, but he soon turned his attention to the guitar. Carulli was entirely self taught, as there were no guitar teachers in Naples at the time. Despite having no …
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Opus 333 No 12 by Ferdinando Carulli (1770-1841) Ferdinando Carulli was born in Naples, Italy on February 10, 1770. Carulli’s first musical instruction was on the cello, but he soon turned his attention to the guitar. Carulli was entirely self taught, as there were no guitar teachers in Naples at the time. Despite having no …
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Opus 114 No 20 by Ferdinando Carulli (1770-1841) Ferdinando Carulli was born in Naples, Italy on February 10, 1770. Carulli’s first musical instruction was on the cello, but he soon turned his attention to the guitar. Carulli was entirely self taught, as there were no guitar teachers in Naples at the time. Despite having no …
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Prelude 33 in A Minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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Prelude 24 in D by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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Prelude 30 in E by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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Prelude 19 in A by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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Prelude 17 in E Minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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