Inspiração (Preludio) by Garoto (1915-1955) Garoto (real name Anibal Augusto Sardinha) started young with the banjo. At the age of 15, Garoto recorded his first solo record with his own compositions. At the age of 18, he received lessons in classical guitar from Attilio Bernardini. Despite his early death at the age of 39, he …
Rosa Carioca by Joao Penambuco (1883-1947) João Teixeira Guimarães (1883-1947), better known as João Pernambuco, is one of the founders of the Brasilian guitar choro style, and his compositions for solo violão are deservedly considered belonging to the core of classic choro, popular with guitarists, loved and admired by audiences in Brazil and elsewhere.
Sue Coutinho Pegue o Boi by Joao Penambuco (1883-1947) João Teixeira Guimarães (1883-1947), better known as João Pernambuco, is one of the founders of the Brasilian guitar choro style, and his compositions for solo violão are deservedly considered belonging to the core of classic choro, popular with guitarists, loved and admired by audiences in Brazil …
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Mimoso by Joao Penambuco (1883-1947) João Teixeira Guimarães (1883-1947), better known as João Pernambuco, is one of the founders of the Brasilian guitar choro style, and his compositions for solo violão are deservedly considered belonging to the core of classic choro, popular with guitarists, loved and admired by audiences in Brazil and elsewhere.
Mimoso by Joao Penambuco (1883-1947) João Teixeira Guimarães (1883-1947), better known as João Pernambuco, is one of the founders of the Brasilian guitar choro style, and his compositions for solo violão are deservedly considered belonging to the core of classic choro, popular with guitarists, loved and admired by audiences in Brazil and elsewhere.
Po de Mico by Joao Penambuco (1883-1947) João Teixeira Guimarães (1883-1947), better known as João Pernambuco, is one of the founders of the Brasilian guitar choro style, and his compositions for solo violão are deservedly considered belonging to the core of classic choro, popular with guitarists, loved and admired by audiences in Brazil and elsewhere.
Suspiro Apaixonado by Joao Penambuco (1883-1947) João Teixeira Guimarães (1883-1947), better known as João Pernambuco, is one of the founders of the Brasilian guitar choro style, and his compositions for solo violão are deservedly considered belonging to the core of classic choro, popular with guitarists, loved and admired by audiences in Brazil and elsewhere.
Ceci by Joao Penambuco (1883-1947) João Teixeira Guimarães (1883-1947), better known as João Pernambuco, is one of the founders of the Brasilian guitar choro style, and his compositions for solo violão are deservedly considered belonging to the core of classic choro, popular with guitarists, loved and admired by audiences in Brazil and elsewhere.
Rebolico by Joao Penambuco (1883-1947) João Teixeira Guimarães (1883-1947), better known as João Pernambuco, is one of the founders of the Brasilian guitar choro style, and his compositions for solo violão are deservedly considered belonging to the core of classic choro, popular with guitarists, loved and admired by audiences in Brazil and elsewhere.
Grauna by Joao Penambuco (1883-1947) João Teixeira Guimarães (1883-1947), better known as João Pernambuco, is one of the founders of the Brasilian guitar choro style, and his compositions for solo violão are deservedly considered belonging to the core of classic choro, popular with guitarists, loved and admired by audiences in Brazil and elsewhere.
