Etude 7 by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
Etude 11 by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
Etude 8 by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
Etude 9 by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
Etude 13 by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
Etude 14 by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
Aire Sureno by Agustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque and …
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Prelude in C by Agustin Barrios Mangore (1885-1944) This work is a medley of different melodies from Argentina. When Barrios first arrived in Buenos Aires in 1910, he earned his living playing guitar in theaters and movie houses during intermission and between acts. An extended potpourri of popular melodies worked well in this format, and …
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Etude 10 by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
Etude 6 by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
