Sevillianas by Juan Martin (1948-) Juan Cristóbal Martín is a Spanish flamenco guitarist and is the author of two flamenco guitar method, ‘El Arte Flamenco De La Guitarra’. Martín started learning the guitar at the age of six. In his early twenties he moved to Madrid to study under Niño Ricardo and Paco de Lucía
Fantasia Del Quinto Tono by Luis de Narvaez (fl. 1526–49) Luis de Narváez was a Spanish composer and vihuelist. Highly regarded during his lifetime, Narváez is known today for Los seys libros del delphín, a collection of polyphonic music for the vihuela which includes the earliest known variation sets. He is also notable for being …
Zamra Mora by Juan Martin (1948-) Juan Cristóbal Martín is a Spanish flamenco guitarist and is the author of two flamenco guitar method, ‘El Arte Flamenco De La Guitarra’. Martín started learning the guitar at the age of six. In his early twenties he moved to Madrid to study under Niño Ricardo and Paco de …
Conde Claros by Luis de Narvaez (fl. 1526–49) Luis de Narváez was a Spanish composer and vihuelist. Highly regarded during his lifetime, Narváez is known today for Los seys libros del delphín, a collection of polyphonic music for the vihuela which includes the earliest known variation sets. He is also notable for being the earliest …
Tarantos by Juan Martin (1948-) Juan Cristóbal Martín is a Spanish flamenco guitarist and is the author of two flamenco guitar method, ‘El Arte Flamenco De La Guitarra’. Martín started learning the guitar at the age of six. In his early twenties he moved to Madrid to study under Niño Ricardo and Paco de Lucía
Sentimiento Gitano by Sabicas (1912-1990) Sabicas was a tremendous genius of his day, not only with technique, but with major contributions, playing Flamenco previously unimaginable and giving new tools and possibilities for the solo instrument. He brought this art to concert halls and major theaters where all classes can enjoy.
Fantasia On Themes From La Traviata Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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Espanoleta 2 by Gaspar Sanz (1640–1710) Gaspar Sanz was an Aragonese composer, guitarist, organist and priest born to a wealthy family in Calanda in the Spanish comarca of Bajo Aragón. He studied music, theology and philosophy at the University of Salamanca, where he was later appointed Professor of Music.
Waltz by Jose Ferrer (1835-1916) José Ferrer was a Spanish guitarist and composer, born in Spain. Ferrer studied guitar with his father, a guitarist and collector of sheet music, before continuing his studies with José Brocá. In 1882, he left Spain for Paris in order to teach at the Institut Rudy and at the Académie …
Gallarda by Gaspar Sanz (1640–1710) Gaspar Sanz was an Aragonese composer, guitarist, organist and priest born to a wealthy family in Calanda in the Spanish comarca of Bajo Aragón. He studied music, theology and philosophy at the University of Salamanca, where he was later appointed Professor of Music.
