Allemande by Anonymous (16th century) Though one of the most popular dances of the Baroque era (1600-1750), the allemande originated around the early or mid-16th century. The first known use of the title “allemande” was in 1521, but in Germany earlier examples of this type of dance appear as “Teutscertanz” or “Dantz”.
Se Io m’accorgo by Anonymous (16th century) The Italian Renaissance began the opening phase of the Renaissance, a period of great cultural change and achievement in Europe that spanned the period from the end of the 13th century to about 1600, marking the transition between Medieval and Early Modern Europe.
Gigue in A Minor by Johann Anton Logy (1645 – 1721) Johann Anton Logy composed mostly dance suites. Losy mastered French lute style and his extant works demonstrate his intelligence, bright spirited love for the lute. His extensive and highly creative works are scattered through various archives
Prelude 2 in A Minor by Johann Anton Logy (1645 – 1721) Johann Anton Logy composed mostly dance suites. Losy mastered French lute style and his extant works demonstrate his intelligence, bright spirited love for the lute. His extensive and highly creative works are scattered through various archives
Capriccio by Johann Anton Logy (1645 – 1721) Johann Anton Logy composed mostly dance suites. Losy mastered French lute style and his extant works demonstrate his intelligence, bright spirited love for the lute. His extensive and highly creative works are scattered through various archives
La Volta by Anonymous (16th century) The volta is an anglicised name for a Renaissance dance for couples from the later Renaissance. This dance was associated with the galliard and done to the same kind of music. Its main figure consisted of a turn and lift in a sort of closed position, which could be …
Packingtons Pound by Anonymous (16th century) Instrumental version of a ballad that tells of a Sir Francis Packington. Mr. Packington a foolish 3000 pound mistake of a wager that he had the athletic prowess to swim the Thames underwater. This was prevented wager was stopped by Queen Elizabeth, apparently worried for Packington’s safety.
Gigue by Robert de Visee (1655 – 1732) Robert de Visée was a lutenist, guitarist, theorbist and viol player at the court of Louis XIV, as well as a singer, and composer for lute, theorbo and guitar. Robert de Visée’s origin is unknown, although a Portuguese origin of his surname had been suggested. Visée published …
Sarabande in D minor by Robert de Visee (1655 – 1732) level Beginner Robert de Visée was a lutenist, guitarist, theorbist and viol player at the court of Louis XIV, as well as a singer, and composer for lute, theorbo and guitar. Robert de Visée’s origin is unknown, although a Portuguese origin of his surname …
Pavana by Gaspar Sanz (1640–1710) Gaspar Sanz was an Aragonese composer, guitarist, organist and priest born to a wealthy family in Calanda in the Spanish comarca of Bajo Aragón. He studied music, theology and philosophy at the University of Salamanca, where he was later appointed Professor of Music.
