Study 26 in A Major by Dionisio Aguado (1784-1849) Dionisio Aguado was a Spanish classical guitarist and composer. Born in Madrid, he studied with Miguel Garcia. In 1825, Aguado visited Paris, where he met and became friends with lived with Fernando Sor. Aguado’s major work Escuela de Guitarra was a guitar tutorial published in 1825. …
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Opus 114 No 18 by Ferdinando Carulli (1770-1841) Ferdinando Carulli was born in Naples, Italy on February 10, 1770. Carulli’s first musical instruction was on the cello, but he soon turned his attention to the guitar. Carulli was entirely self taught, as there were no guitar teachers in Naples at the time. Despite having no …
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Study 17 in E Minor by Dionisio Aguado (1784-1849) Dionisio Aguado was a Spanish classical guitarist and composer. Born in Madrid, he studied with Miguel Garcia. In 1825, Aguado visited Paris, where he met and became friends with lived with Fernando Sor. Aguado’s major work Escuela de Guitarra was a guitar tutorial published in 1825. …
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Paradetas by Gaspar Sanz (1640–1710) Level Beginner Gaspar Sanz was an Aragonese composer, guitarist, organist and priest born to a wealthy family in Calanda in the Spanish comarca of Bajo Aragón. He studied music, theology and philosophy at the University of Salamanca, where he was later appointed Professor of Music.
Opus 48 No 18 (Study) by Mauro Giuliani (1781-1829) Mauro Giuliani was an italian guitarist and composer, and is considered by many to be one of the leading guitarist virtuosos of the early nineteenth century. He was a prolific composer, writing over 150 pieces for the guitar, as well as many chamber compositions for the …
Prelude 33 in A Minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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Prelude 24 in D by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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Prelude 19 in A by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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Prelude 17 in E Minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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Prelude 21 in A Minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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