Opus 114 No 20 by Ferdinando Carulli (1770-1841) Ferdinando Carulli was born in Naples, Italy on February 10, 1770. Carulli’s first musical instruction was on the cello, but he soon turned his attention to the guitar. Carulli was entirely self taught, as there were no guitar teachers in Naples at the time. Despite having no …
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Prelude 33 in A Minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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Prelude 24 in D by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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Prelude 19 in A by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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Prelude 17 in E Minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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Prelude 21 in A Minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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Prelude 14 in B Minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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Prelude 31 in A by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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Prelude 32 in E by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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Study No 5 (study) by Dionisio Aguado (1784-1849) Dionisio Aguado was a Spanish classical guitarist and composer. Born in Madrid, he studied with Miguel Garcia. In 1825, Aguado visited Paris, where he met and became friends with lived with Fernando Sor. Aguado’s major work Escuela de Guitarra was a guitar tutorial published in 1825. Dionisio …
