Taconeos (Zapateado) by Paco Pena (1942-) Paco Peña is a Spanish flamenco guitarist. He is regarded as one of the world’s foremost traditional Flamenco players. Pena began performing throughout Spain with a government-sponsored folk music and dance program where Peña established himself as a highly-regarded accompanist to Flamenco dance and singing.
Opus 48 No 18 (Study) by Mauro Giuliani (1781-1829) Mauro Giuliani was an italian guitarist and composer, and is considered by many to be one of the leading guitarist virtuosos of the early nineteenth century. He was a prolific composer, writing over 150 pieces for the guitar, as well as many chamber compositions for the …
Opus 114 No 17 Prelude by Ferdinando Carulli (1770-1841) Ferdinando Carulli was born in Naples, Italy on February 10, 1770. Carulli’s first musical instruction was on the cello, but he soon turned his attention to the guitar. Carulli was entirely self taught, as there were no guitar teachers in Naples at the time. Despite having …
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Opus 114 No 20 by Ferdinando Carulli (1770-1841) Ferdinando Carulli was born in Naples, Italy on February 10, 1770. Carulli’s first musical instruction was on the cello, but he soon turned his attention to the guitar. Carulli was entirely self taught, as there were no guitar teachers in Naples at the time. Despite having no …
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Prelude 33 in A Minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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Prelude 24 in D by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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Prelude 19 in A by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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Prelude 17 in E Minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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Prelude 21 in A Minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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Prelude 14 in B Minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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