Nocturne in Fm (Op 55 No 1) by Frederic Chopin (1810-1849) Frédéric François Chopin was a Polish composer, virtuoso pianist, and music teacher of French–Polish parentage. A great masters of Romantic music and has been called “the poet of the piano”. He supported himself as a composer and piano teacher, giving few public performances. For …
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Opus 10 No 3 by Frederic Chopin (1810-1849) Frédéric François Chopin was a Polish composer, virtuoso pianist, and music teacher of French–Polish parentage. A great masters of Romantic music and has been called “the poet of the piano”. He supported himself as a composer and piano teacher, giving few public performances. For most of his …
Opus 28 No 20 in C Minor by Frederic Chopin (1810-1849) Frédéric François Chopin was a Polish composer, virtuoso pianist, and music teacher of French–Polish parentage. A great masters of Romantic music and has been called “the poet of the piano”. He supported himself as a composer and piano teacher, giving few public performances. For …
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Anitra’s Dance (Theme) by Edvard Grieg (1843-1907) Edvard Grieg was a Norwegian composer and pianist. He is best known for his Piano Concerto in A minor, for his incidental music to Henrik Ibsen’s play Peer Gynt (which includes Morning Mood and In the Hall of the Mountain King), and for his collection of piano miniatures …
Romanza En Imitacion Al Violincelloby Agustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the …
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Madrecita (Little Mother)by Agustin Barrios (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque and Romantic …
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Prelude 33 in A Minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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Prelude 24 in D by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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Prelude 30 in E by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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Prelude 19 in A by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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