Peccadilles Importunes 2 by Erik Satie (1866-1925) Erik Satie was a French composer and pianist. Satie was a colourful figure in the early 20th century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd
Enfantillages Pittoresques 3 by Erik Satie (1866-1925) Erik Satie was a French composer and pianist. Satie was a colourful figure in the early 20th century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.
Enfantillages Pittoresques 2 by Erik Satie (1866-1925) Erik Satie was a French composer and pianist. Satie was a colourful figure in the early 20th century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.
Enfantillages Pittoresques 1 by Erik Satie (1866-1925) Erik Satie was a French composer and pianist. Satie was a colourful figure in the early 20th century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.
Gymnopedie 3 by Erik Satie (1866-1925) Written in 1888, the 3 piano pieces entitled Trois Gymnopedies are probably French composer Erik Satie’s most famous work. Gymnopedies named after the Gymnopaidiai festival of ancient Sparta. These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédie are …
Gymnopedie 2 by Erik Satie (1866-1925) Written in 1888, the 3 piano pieces entitled Trois Gymnopedies are probably French composer Erik Satie’s most famous work. Gymnopedies named after the Gymnopaidiai festival of ancient Sparta. These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédie are …
Gnossienne 6 by Erik Satie (1866-1925) Satie’s coining of the word “gnossienne” was one of the rare occasions when a composer used a new term to indicate a new “type” of composition. Satie had and would use many novel names for his compositions (“vexations”, “croquis et agaceries” and so on). “Ogive,” for example, had been …
Gnossienne 5 by Erik Satie (1866-1925) Satie’s coining of the word “gnossienne” was one of the rare occasions when a composer used a new term to indicate a new “type” of composition. Satie had and would use many novel names for his compositions (“vexations”, “croquis et agaceries” and so on). “Ogive,” for example, had been …
Gnossienne 4 by Erik Satie (1866-1925) Satie’s coining of the word “gnossienne” was one of the rare occasions when a composer used a new term to indicate a new “type” of composition. Satie had and would use many novel names for his compositions (“vexations”, “croquis et agaceries” and so on). “Ogive,” for example, had been …
Gnossienne 1 by Erik Satie (1866-1925) Satie’s coining of the word “gnossienne” was one of the rare occasions when a composer used a new term to indicate a new “type” of composition. Satie had and would use many novel names for his compositions (“vexations”, “croquis et agaceries” and so on). “Ogive,” for example, had been …
