Opus 11 No 4 by Matteo Carcassi (1792-1853) Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical …
Opus 11 No 3 by Matteo Carcassi (1792-1853) Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical …
Opus 11 No 2 by Matteo Carcassi (1792-1853) Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical …
Opus 11 No 10 by Matteo Carcassi (1792-1853) Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical …
Opus 11 No 1 by Matteo Carcassi (1792-1853) Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical …
Aconquija (Suite Andina) by Agustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque …
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Etude 26 Metodo De Guitarra (Primera Parte) by Dionisio Aguado (1784-1849) Dionisio Aguado was a Spanish classical guitarist and composer. Born in Madrid, he studied with Miguel Garcia. In 1825, Aguado visited Paris, where he met and became friends with lived with Fernando Sor. Aguado’s major work Escuela de Guitarra was a guitar tutorial published …
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Etude 24 Metodo De Guitarra (Primera Parte) by Dionisio Aguado (1784-1849) Dionisio Aguado was a Spanish classical guitarist and composer. Born in Madrid, he studied with Miguel Garcia. In 1825, Aguado visited Paris, where he met and became friends with lived with Fernando Sor. Aguado’s major work Escuela de Guitarra was a guitar tutorial published …
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Etude 20 Metodo De Guitarra (Primera Parte) by Dionisio Aguado (1784-1849) Dionisio Aguado was a Spanish classical guitarist and composer. Born in Madrid, he studied with Miguel Garcia. In 1825, Aguado visited Paris, where he met and became friends with lived with Fernando Sor. Aguado’s major work Escuela de Guitarra was a guitar tutorial published …
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Etude 20 Metodo De Guitarra (Primera Parte) by Dionisio Aguado (1784-1849) Dionisio Aguado was a Spanish classical guitarist and composer. Born in Madrid, he studied with Miguel Garcia. In 1825, Aguado visited Paris, where he met and became friends with lived with Fernando Sor. Aguado’s major work Escuela de Guitarra was a guitar tutorial published …
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