La Cartagenera by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this …
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Estudio en Imitaciones No 1 by Antonio Lauro (1917-1986) Antonio Lauro was a Venezuelan musician, considered to be one of the foremost South American composers for the Guitar in the 20th century. The works of Antonio Lauro have long been very popular with guitarists worldwide, several recordings by John Williams and David Russell have set …
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Interrogando by Joao Penambuco (1883-1947) João Teixeira Guimarães (1883-1947), better known as João Pernambuco, is one of the founders of the Brasilian guitar choro style, and his compositions for solo violão are deservedly considered belonging to the core of classic choro, popular with guitarists, loved and admired by audiences in Brazil and elsewhere.
Menuet in E by Wolfgang Amadeus Mozart (1756-1791) Arranged by Andres Segovia Wolfgang Amadeus Mozart was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most timeless classical composers.
Zulay by Antonio Lauro (1917-1986) Antonio Lauro was a Venezuelan musician, considered to be one of the foremost South American composers for the Guitar in the 20th century. The works of Antonio Lauro have long been very popular with guitarists worldwide, several recordings by John Williams and David Russell have set Lauro’s fame in the …
Lagrima by Joao Penambuco (1883-1947) João Teixeira Guimarães (1883-1947), better known as João Pernambuco, is one of the founders of the Brasilian guitar choro style, and his compositions for solo violão are deservedly considered belonging to the core of classic choro, popular with guitarists, loved and admired by audiences in Brazil and elsewhere.
Duas Contas Original by Garoto (1915-1955) Garoto, (Portuguese for “The Kid”) started young with the banjo. At the age of 18 he received lessons in classical guitar from Attilio Bernardini. In 1930, Garoto recorded his first solo record with his own compositions. In 1939, he traveled to the USA with Carmen Miranda and the Banda …
Recordando Nazarethby Joao Penambuco (1883-1947) João Teixeira Guimarães (1883-1947), better known as João Pernambuco, is one of the founders of the Brasilian guitar choro style, and his compositions for solo violão are deservedly considered belonging to the core of classic choro, popular with guitarists, loved and admired by audiences in Brazil and elsewhere.
Now O Now I Needs Must Part (Easy) by John Dowland (1563-1626) googebest known today for his melancholy songs such as “Come, heavy sleep”, “Come again”, “Flow my tears”, “I saw my Lady weepe” and “In darkness let me dwell”, but his instrumental music has undergone a major revival, and with the 20th century’s early …
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Nelly by Antonio Lauro (1917-1986) Antonio Lauro was a Venezuelan musician, considered to be one of the foremost South American composers for the Guitar in the 20th century. The works of Antonio Lauro have long been very popular with guitarists worldwide, several recordings by John Williams and David Russell have set Lauro’s fame in the …
