ANH 124 Marche by Carl Philipp Emanuel Bach (1714-1788) Carl Philipp Emanuel Bach was a German Classical period musician and composer, the fifth child and second (surviving) son of Johann Sebastian Bach and Maria Barbara Bach. He was a crucial composer in the transition between the Baroque and Classical periods, and one of the founders …
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Color Sepia by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
HWV 432 Suite No. 7 Sarabande (Arranged by David Russell) by George Frideric Händel (1685-1759) George Frideric Handel was a German-British Baroque composer, famous for his operas, oratorios, and concertos. Handel was born in Germany in the same year as Johann Sebastian Bach and Domenico Scarlatti. He received critical musical training in Italy before settling …
Ural Rowan Tree (Uralskaya Ryabinushka) by Roland Dyens (1955-2016) Dyens is a French/Tunisian classical guitarist, composer, and arranger. He studied guitar with the Spanish classical guitarist Alberto Ponce and analysis with Désiré Dondeyne. As a performer, Dyens is known for his extraordinary capacity for improvisation. Essentially unique among classical guitarists. His guitar music draws on …
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Concert Etude by Tatiana Stachak Tatiana Stachak (born 1973) is a Polish Guitarist. She is currently actively engaged in educational activities; giving lectures and workshops in music schools, guitar courses and at festivals, and promoting her methods of teaching. Since 2021 she has been working with the Academy of Music in Cracow, where she teaches …
Saltarello by Anonymous (Arranged by Narciso Yepes) The saltarello is a musical dance originally from Italy. around late-fourteenth- or early fifteenth-century. It is usually played in a fast triple meter and is named for its peculiar leaping step, after the Italian verb saltare (“to jump”). This characteristic is also the basis of the German name …
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Allemande de court by Emanuel Adrianssen (1554-1604) Emmanuel Adriaenssen was a Flemish lutenist and influential author of Pratum Musicum. This contains lute solos, and more importantly settings of madrigals for multiple lutes and different ensembles involving lutes and voices giving much study material for the researcher into renaissance performance practice. The ensemble pieces have been …
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Crepusculo by Emilio Pujol (1886-1980) Emili Pujol Vilarrubí was a composer and the leading twentieth century musicologist and classical guitar teacher. He began his studies with Francisco Tárrega at the Conservatory of Barcelona in 1901, when he was fifteen years of age.
Vals Intimo by Emilio Pujol (1886-1980) Emili Pujol Vilarrubí was a composer and the leading twentieth century musicologist and classical guitar teacher. He began his studies with Francisco Tárrega at the Conservatory of Barcelona in 1901, when he was fifteen years of age.
BWV 819 Allemande by Johann Sebastian Bach (1685-1750) Johann Sebastian Bach (1685-1750) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
