Rondoletto Opus 118 No.4 by Robert Schumann (1810-1856) Robert Schumann, sometimes known as Robert Alexander Schumann was a German composer, aesthete and influential music critic. He is regarded as one of the greatest and most representative composers of the Romantic era.
BWV 785 Invention 14 by Johann Sebastian Bach (1685-1750) An invention is a short composition (usually for a keyboard instrument) in two-part counterpoint. Bach had composed 15 inventions which are similar in style to a figure but much simpler. Inventions are usually not performed in public, instead they serve as exercises for keyboard students, and …
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Puppenwiegenlied (Doll’s Cradle Song) Opus 118 No.3 by Robert Schumann (1810-1856) Robert Schumann, sometimes known as Robert Alexander Schumann was a German composer, aesthete and influential music critic. He is regarded as one of the greatest and most representative composers of the Romantic era.
Punto de la Habana by Julian Arcas (1832-1882) Julián Arcas was a Spanish classical guitarist and composer. Arcas was a teacher to Francisco Tárrega in Barcelona. Arcas wrote fifty two original works and transcriptioned thirty pieces for the guitar, including waltzes, variations, preludes and dances.
Watchman’s Song (Opus 12 No.3) by Edvard Grieg (1843-1907) Edvard Grieg (1843-1907) was a Norwegian composer and pianist. He is best known for his Piano Concerto in A minor, for his incidental music to Henrik Ibsen’s play Peer Gynt (which includes Morning Mood and In the Hall of the Mountain King), and for his collection …
Siciliano (Opus 68 No. 11) by Robert Schumann (1810-1856) Robert Schumann, sometimes known as Robert Alexander Schumann was a German composer, aesthete and influential music critic. He is regarded as one of the greatest and most representative composers of the Romantic era.
BWV 974 Adagio by Johann Sebastian Bach (1685-1750) Johann Sebastian Bach (1685-1750) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
Suite in A Minor I Gigue by Johann Froberger (1616-1667) Johann Jakob Froberger (1616-1667) was a German Baroque composer, keyboard virtuoso, and organist. Among the most famous composers of the era, he was influential in developing the musical form of the suite of dances in his keyboard works. His harpsichord pieces are highly idiomatic and …
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Suite in A Minor I Allemande by Johann Froberger (1616-1667) Johann Jakob Froberger (1616-1667) was a German Baroque composer, keyboard virtuoso, and organist. Among the most famous composers of the era, he was influential in developing the musical form of the suite of dances in his keyboard works. His harpsichord pieces are highly idiomatic and …
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Suite in A Minor III Courante by Johann Froberger (1616-1667) Johann Jakob Froberger (1616-1667) was a German Baroque composer, keyboard virtuoso, and organist. Among the most famous composers of the era, he was influential in developing the musical form of the suite of dances in his keyboard works. His harpsichord pieces are highly idiomatic and …
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