Opus 59 No 32 by Matteo Carcassi (1792-1853) Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical …
Diferencias Sobre Guardame Las Vacas by Andrés Segovia (1893-1987) Andrés Segovia was a virtuoso Spanish classical guitarist from Linares, Jaén, Andalucia, Spain. He is widely considered to be one of the best known and most influential classical guitar personalities of the 20th century, having a considerable influence on later guitarists, particularly because of important guitar …
Diferencias Sobre Guardame Las Vacas by Andres Segovia Read More »
Fuga y Misterio by Ástor Piazzolla (1921-1992) Ástor Pantaleón Piazzolla was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneónist, he regularly performed his own compositions with different ensembles.
Menuet in D by Anonymous The Renaissance (which means “rebirth or “revival”) began around 1400 and ended in the early 1600s. The musicians and artists of the Renaissance looked back to classical models, spawning a new era of artistic growth. With the invention of the printing press, music became avaialble to the public as never …
Prelude 170 by Elias Mertel (1561-1626) Elias Mertel was a German lutenist and composer of the Late Renaissance era. He was originally from Wangenbourg and worked under Friedrich IV until 1595. He published collections of lute music, notably Hortus Musicalis in Strasbourg in 1615 including fantasies, preludes and fugues.
Opus 59 No 31 by Matteo Carcassi (1792-1853) Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical …
Opus 30 No 29 Allegretto by Mauro Giuliani (1781-1829) Mauro Giuliani was an italian guitarist and composer, and is considered by many to be one of the leading guitarist virtuosos of the early nineteenth century. He was a prolific composer, writing over 150 pieces for the guitar, as well as many chamber compositions for the …
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Aires De Puerto Real by Sabicas (1912-1990) Sabicas was a tremendous genius of his day, not only with technique, but with major contributions, playing Flamenco previously unimaginable and giving new tools and possibilities for the solo instrument. He brought this art to concert halls and major theaters where all classes can enjoy.
Historia De Un Pais Del Sur 9 by Atsumasa Nakayabashi (20th Century) Historically, the Japanese have engaged in a continuous blending of borrowed cultures with their own traditional culture. In the 20th century, this legacy continues with the intermingling of Western instruments and music with traditional Japanese instruments and music…
Opus 133 Suite 1 Preludio by Andrés Segovia (1893-1987) Andrés Segovia was a virtuoso Spanish classical guitarist from Linares, Jaén, Andalucia, Spain. He is widely considered to be one of the best known and most influential classical guitar personalities of the 20th century, having a considerable influence on later guitarists, particularly because of important guitar …
Opus 133 Suite 1 Preludio by Mario Castelnuovo Tedesco Read More »
