Cancion de la Mañana by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo …
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Mirandote by Eduardo Martin (1956-) Eduardo (1956 havana) has written for guitar in various combinations from duos to guitar orchestra. He has written for theatre plays and for cinema. Since 1991 he has successfully toured Cuba, South America and Europe giving concerts and master classes with great acclaim from both critics and the public in …
La Luña y el Sol (The Sun and the Moon) by Jaime Mirtenbaum Zenamon (1953-) Jaime Mirtenbaum Zenamon is a classical guitarist and composer. He was born in La Paz, Bolivia of European parents and studied guitar and composition in Israel, Spain and Portugal as well as in South America. He taught at the Berlin …
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Cancion de la Tarde by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo …
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Color Sepia by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
Ural Rowan Tree (Uralskaya Ryabinushka) by Roland Dyens (1955-2016) Dyens is a French/Tunisian classical guitarist, composer, and arranger. He studied guitar with the Spanish classical guitarist Alberto Ponce and analysis with Désiré Dondeyne. As a performer, Dyens is known for his extraordinary capacity for improvisation. Essentially unique among classical guitarists. His guitar music draws on …
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Etude 7 by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
Etude 11 by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
Etude 8 by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
Etude 9 by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
