Suite In E Minor 1 Allemande by Dietrich Buxtehude (1639-1707) Dietrich Buxtehude was a German-Danish organist and composer of the Baroque period. His organ works represent a central part of the standard organ repertoire and are frequently performed at recitals and in church services. He composed in a wide variety of vocal and instrumental idioms, …
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Hornpipe by Daniel Purcell (1664-1717) Daniel Purcell was an English composer, the younger brother or cousin of Henry Purcell. As a teenager, Daniel Purcell joined the choir of the Chapel Royal, and in his mid-twenties he became organist of Magdalen College, Oxford. He began to compose while at Oxford, but in 1695 he moved to …
Rondo by James Hook (1746-1827) James Hook was an English composer and organist. He was born in Norwich, the son of James Hook, a razor-grinder and cutler. He displayed a remarkable musical talent at an early age, playing the harpsichord by the age of four and performing concertos in public at age six. He began …
Aria by Giuseppe Antonio Brescianello (1690-1758) Giuseppe Antonio Brescianello was an Italian Baroque composer and violinist. He invigorated musical life in Stuttgart. His contemporaries praised his chamber works. The music of Brescianello shows great sense of melody, profound harmonic imagination combined with strong rhythmic element so typical to Italian school of the time.
BWV 361 Jesus Joy of My Heart by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, …
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BWV 85 God Is My Shield by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by …
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BWV 227 Jesus My Joy by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue …
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BWV 263 Everything Is on Gods Blessing Dependent by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. …
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BWV 613 Help Me Praise Gods Goodness by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, …
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Scherzo by Antonio Brescianello Giuseppe (1690-1758) Giuseppe Antonio Brescianello was an Italian Baroque composer and violinist. He invigorated musical life in Stuttgart. His contemporaries praised his chamber works. The music of Brescianello shows great sense of melody, profound harmonic imagination combined with strong rhythmic element so typical to Italian school of the time.
