Adagio in E Minor by George Frideric Handel (1685-1759) George Friedrich Handel was a German-British Baroque composer, famous for his operas, oratorios, and concertos. Handel was born in Germany in the same year as Johann Sebastian Bach and Domenico Scarlatti. He received critical musical training in Italy before settling in London and becoming a naturalised …
BWV 658 From God I Will Not Depart by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. …
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Gavotte 2 by George Frideric Handel (1685-1759) George Frideric Handel was a German-British Baroque composer, famous for his operas, oratorios, and concertos. Handel was born in Germany in the same year as Johann Sebastian Bach and Domenico Scarlatti. He received critical musical training in Italy before settling in London and becoming a naturalised British subject.
BWV 78 From Thy Sleep Awake Thee by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, …
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BWV 385 Now Let Us Beg True Faith of The Holy Ghost by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” …
BWV 272 Praise God Our Lord by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by …
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BWV 448 The Last Hour of My Life by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. …
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BWV 74 Come To Me Says Gods Son by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. …
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BWV 287 Jesus Christ Our Lord by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by …
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BWV 55 Be Glad My Soul by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by …
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