Baroque

BWV 361 Jesus Joy of My Heart by Johann Sebastian Bach (Guitar Tab)

BWV 361 Jesus Joy of My Heart by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, …

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BWV 85 God Is My Shield by Johann Sebastian Bach (Guitar Tab)

BWV 85 God Is My Shield by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by …

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BWV 227 Jesus My Joy by Johann Sebastian Bach (Guitar Tab)

BWV 227 Jesus My Joy by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue …

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BWV 263 Everything Is on Gods Blessing Dependent by Johann Sebastian Bach (Guitar Tab)

BWV 263 Everything Is on Gods Blessing Dependent by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. …

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BWV 613 Help Me Praise Gods Goodness by Johann Sebastian Bach (Guitar Tab)

BWV 613 Help Me Praise Gods Goodness by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, …

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Scherzo by Antonio Brescianello Giuseppe (Guitar Tab)

Scherzo by Antonio Brescianello Giuseppe (1690-1758) Giuseppe Antonio Brescianello was an Italian Baroque composer and violinist. He invigorated musical life in Stuttgart. His contemporaries praised his chamber works. The music of Brescianello shows great sense of melody, profound harmonic imagination combined with strong rhythmic element so typical to Italian school of the time.

BWV 347 I Thank Thee Dear Lord by Johann Sebastian Bach (Guitar Tab)

BWV 347 I Thank Thee, Dear Lord by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, …

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BWV 346 I Thank Thee God for All Thy Benefits by Johann Sebastian Bach (Guitar Tab)

BWV 346 I Thank Thee God for All Thy Benefits by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and …

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BWV 345 I am Indeed Lord in Thy Power by Johann Sebastian Bach (Guitar Tab)

BWV 345 I am Indeed Lord in Thy Power by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice …

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BWV 338 Lord Punish Me Not in Thy Wrath by Johann Sebastian Bach (Guitar Tab)

BWV 338 Lord Punish Me Not in Thy Wrath by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice …

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